AVnight 2

audiovisual performances live

25.10 | 19:00 Tickets | Hevre+1

On Saturday evening, during AVnight 2, there will be an occation to immerse ourselves in relaxing, light-and-sound baths.
Pandelis Diamantides and Kristia Michael will present a performance for light and voice inspired by the aesthetics of Yves Klein; the French collective Symbiotique will create live images in the form of a liquid show using liquids and chemical reactions; and a sound art duo from Poznań will perform an evolving audiovisual landscape generated with custom algorithms powered by machine learning.

 

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Super Organique | Symbiotique

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An immersive audiovisual journey into the farthest reaches of the cosmos and deep into our own cells. Images in the form of a liquid show are generated live from liquids and chemical reactions, where fluid forms, colours, and light merge into organic, ever-changing compositions, creating a hypnotic visual spectacle. In parallel, the soundscape unfolds into a musical universe where voice, piano, and synthesizers intertwine with neo-classical and electronic textures.

Performance presented in collaboration with the Institut Français in Warsaw


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Interdisciplinary audiovisual performance, a meditation on silence, voice, and the color blue. Vocalist Kristia Michael, using extended vocal techniques, merges with Pandelis Diamantides’ electroacoustic soundscapes to create a living sonic fabric where structure meets improvisation. Inspired by journeys across the Aegean Sea, Mediterranean urban topographies, and Maggie Nelson’s prose-poem Bluets, the work transforms shades of blue into metaphors of memory, longing, and identity. Minimalist visuals of light, digital abstraction, and movement expand the piece into an immersive, multisensory experience. Echoing Yves Klein’s monochromes and John Cage’s reflections on silence, Bluets suggests that one might truly “hear” the color blue.


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Sound Gardens | Blooming Object

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An audiovisual performance-speculation by the sound art duo founded by Maciej Waleszczyk and Jan Skorupa. Using custom-programmed instruments based on generative algorithms and machine learning tools, the artists treat sound as a living material, shaped within an organic, immersive ecosystem of generative instruments.

The form frees itself from strict composition, allowing for chance and unpredictability; the creator is no longer at the center but becomes a companion to the process. It is a dialogue between artists and technology, giving rise to a constantly evolving audiovisual landscape.